Varying it will cause interesting effects as the wavelengths from the following three fields complement and interfere with each other. This is the distance, measured in nanometers, between the surface of your car paint and the paint layer itself. It is a percentage value dictating how much light will be reflected from your surface and has some specific parameters: Thickness (Scalar) Iridescence (Scalar)Īlso known as goniochromism, this describes how some surfaces change color with the viewing angle such as is seen with soap bubbles and sea shells. The amplitude assigned to the Paint Bump Map. Paint Roughness (Scalar)Ī Roughness of 0 % will give a completely. The amount of shine from the paint itself, before the Clearcoat layer is taken into account. The color of the paint layer for your Carpaint. It has settings to create varying depths of varnish (called Clearcoat) and the ability to have iridescent effects. it's my weapon of choice.CarPaint is a material for creating vehicle paint-like effects. I've used it in Thor 2, Fast and furious 6, Maleficent, Wraith of the Titans etc. Studios have asked me to use other pipelines but, after I demo what I can achieve in Lightwave, they let me use it instead. It is faster for me than any other package. I have tried a lot of other modellers and I still use Lightwave. I started with LW Version 3 back in the days of the Amiga 4000. Why Lightwave? Well, for me, I'm an old mans these days.
Aston did not have blueprints for me as the DB5 was hand made over jigs etc. Hardest part was that I could not disassemble the dash etc - which would have made life easier. When the part was modelled - I would resize it to a third scale of my measurements. With large parts like the body - I would model in sections to allow for camera distortion. I'd place the photo in modeller and build over the top.
#LIGHTWAVE 3D CAR FULL SIZE#
first I would run down to the studio where the full size Bond DB5 was, (50 yards lol) and photograph and measure parts. I modelled the whole car - body, tyres, bolt ons and interior. If you have any questions please contact me on Once printed, the skilled team of prop makers assembled the parts to produce the DB5 stunt doubles that you see in the movie. Smaller detailed parts such as the dash components, Rims etc were produced on a Projet printer.Īs you can appreciate, I could not dismantle and scan the existing Bond car so I had to photograph the body and all of the components in order to model over the top. It is this 3D printer (Voxeljet) that we used to print the larger parts of the 1.5 miniature used in Skyfall. Propshop has the second largest format 3D printer currently available - capable of printing over one meter at a time. Thor2, Prometheus, Red2, Maleficent, Zero Dark 30, Fast and Furious 6 etc We then, in turn, 3D print or CNC these 3D models to create hero props for many films. My roll at Propshop is to model for the film industry. Propshop caters for all of the surrounding studios as well. I freelance for a company called, 'Propshop Model Makers' at Pinewood Studios UK. There is a lot of focus on the CG side of Lightwave and at times, perhaps not enough on the power of Lightwave's modeller. My name is Jet and I thought you would like to see what we are doing with Lightwave in the film industry.
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